Sounding the Center: History and Aesthetics in Thai Buddhist Performance (Chicago Studies in Ethnomusicology)

Sounding the Centeris an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred center of Buddhist Thailand. Focusing on the ritual honoring teachers of music and dance, Deborah Wong reveals a complex network of connections among kings, teachers, knowledge, and performance that underlies the classical court arts. Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enacted, the foods and objects involved, and the people who perform it, emphasizing the way the performers themselves discuss and construct aspects of the ceremony. Only those who have been initiated by a master can manifest the divine in the human realm. The power held by the master musicians, Wong shows, is both ritual and social; they are not just ritual experts, they are also leaders at the government-run national conservatory. This combination of political recognition and esoteric knowledge, Wong suggests, has helped Thai classical music endure in the face of changing patronage and the challenges posed by the urban environment that supports it.Deborah Wong is the author of 'Sounding the Center: History and Aesthetics in Thai Buddhist Performance (Chicago Studies in Ethnomusicology)', published 2001 under ISBN 9780226905853 and ISBN 0226905853.