Lights Out

Man is the word. You can't stop hearing it when you're inside. "You crazy, man?" "You fuckin' with me, man?" "Fuck you, man." "Shi', man." "Sheet, man." "Shit, man." It doesn't mean a thing. It's just an itch that no one can stop scratching, a sore tooth no one can stop probing. Fifteen years is a long time for scratching and probing, longer when there's nothing to do but mop floors and sew mailbags, all for fifty-five cents an hour. You've got to find ways of making time go faster. Nails--during his third year they started calling him Nails, but his real name was Eddie Nye--Nails took up weight lifting. That made time go faster, but not fast enough. What he needed was a way to make time disappear. That's what led him to reading. Nails probably hadn't read a book in his life, except for high-school assignments, and, much earlier, Muskets and Doubloons, but in the room they called the library, with its blue-white strip lighting, steel chairs and tables bolted to the floor, yawning corrections officers, he ploughed through everything on the shelves. He started with Max Brand. After a while he learned that the better the book, the closer time shrank to the vanishing point. Seven years later he was reading Tolstoy, still searching for the story so perfect it would kill time dead. Old books were better. Nothing written in the twentieth century worked at all. Poems were best, especially long ones with rhymes and a beat. One day Eddie came upon "The Rime of the Ancient Mariner." He returned to it over and over, not unlike a child who can't stop looking at a bloody crucifixion on the wall at Grandma's house. Eddie read the papers too. Funny thing about the papers. Although he read every word, including the weather in places he'd never heard of and subjects he had no interest in, like the stock market, recipes, dance reviews, he somehow didn't get it. Everything just floated by--megabytes, Japanese cars, yuppies, the end of the Cold War, all that. Eddie knew things were happening, but they were far away and meaningless. Like looking through binoculars from the wrong end. Of course, you could say it was Eddie who was far away. He had to be, to get away from time. Not that he didn't want out. That happens to some of the longtimers, but didn't happen to Eddie. It wasn't that he had plans: he couldn't form any. But he wanted out, all right, so bad that with two or three months to go he started getting wired. Couldn't eat, couldn't sleep, couldn't sit still. In consequence, his memory of events in those months wasn't too clear. It lacked, for example, some of the details, the nuances, of El Rojo's first contact. At the time, Eddie had a cell on the first tier of the north wing of F-Block. Cell F-31 measured four paces from the bars to the seatless steel toilet, a pace and a half from the steel bunks to the steel side wall. Eddie had the top bunk, Prof slept on the bottom. Prof wasn't in for long. Forgery. Three and a half to eight, but probably much less with parole. Eddie had had lots of cellmates--Gerald, who had split his wife's skull with his son's Little League bat; Moonie, who'd shot some bystanders in a drive-by; Grodowicz, who'd botched a kidnapping by detouring to sodomize the hostages; Rafael DeJesus, a smuggler and occasional killer of illegal aliens who'd taught Eddie Spanish; a kid whose name Eddie no longer remembered, who hadn't been able to stop stealing cars and had finally run over twins in a twin stroller at the end of a high-speed chase; Jonathan C. McBright, a professional bank robber and by far the easiest to live with; another guy who'd killed his wife, but unlike Gerald denied it and cried in the night; and others, who'd done more of the same. They came, they put up their decorations, they served their time or got paroled, got transferred, got killed, or killed themselves. Eddie kept his distance from his cAbrahams, Peter is the author of 'Lights Out' with ISBN 9780345445780 and ISBN 0345445783.