Woman in the Dark

Her right ankle turned under her and she fell. The wind blowing downhill from the south, whipping the trees beside the road, made a whisper of her exclamation and snatched her scarf away into the darkness. She sat up slowly, palms on the gravel pushing her up, and twisted her body sidewise to release the leg bent beneath her. Her right slipper lay in the road close to her feet. When she put it on she found its heel was missing. She peered around, then began to hunt for the heel, hunting on hands and knees uphill into the wind, wincing a little when her right knee touched the road. Presently she gave it up and tried to break the heel off her left slipper, but could not. She replaced the slipper and rose with her back to the wind, leaning back against the wind's violence and the road's steep sloping. Her gown clung to her back, flew fluttering out before her. Hair lashed her cheeks. Walking high on the ball of her right foot to make up for the missing heel, she hobbled on down the hill. At the bottom of the hill there was a wooden bridge, and, a hundred yards beyond, a sign that could not be read in the darkness marked a fork in the road. She halted there, not looking at the sign but around her, shivering now, though the wind had less force than it had had on the hill. Foliage to her left moved to show and hide yellow light. She took the left-hand fork. In a little while she came to a gap in the bushes beside the road and sufficient light to show a path running off the road through the gap. The light came from the thinly curtained window of a house at the other end of the path. She went up the path to the door and knocked. When there was no answer she knocked again. A hoarse, unemotional masculine voice said: "Come in." She put her hand on the latch; hesitated. No sound came from within the house. Outside, the wind was noisy everywhere. She knocked once more, gently. The voice said, exactly as before: "Come in." She opened the door. The wind blew it in sharply, her hold on the latch dragging her with it so that she had to cling to the door with both hands to keep from falling. The wind went past her into the room, to balloon curtains and scatter the sheets of a newspaper that had been on a table. She forced the door shut and, still leaning against it, said: "I am sorry." She took pains with her words to make them clear notwithstanding her accent. The man cleaning a pipe at the hearth said: "It's all right." His copperish eyes were as impersonal as his hoarse voice. "I'll be through in a minute." He did not rise from his chair. The edge of the knife in his hand rasped inside the brier bowl of his pipe. She left the door and came forward, limping, examining him with perplexed eyes under brows drawn a little together. She was a tall woman and carried herself proudly, for all she was lame and the wind had tousled her hair and the gravel of the road had cut and dirtied her hands and bare arms and the red crepe of her gown. She said, still taking pains with her words: "I must go to the railroad. I have hurt my ankle on the road. Eh?" He looked up from his work then. His sallow, heavily featured face, under coarse hair nearly the color of his eyes, was not definitely hostile or friendly. He looked at the woman's face, at her torn skirt. He did not turn his head to call: "Hey, Evelyn." A girl--slim maturing body in tan sport clothes, slender sunburned face with dark bright eyes and dark short hair--came into the room through a doorway behind him. The man did not look around at her. He nodded at the woman in red and said: "This--" The woman interrupted him: "My name is Luise Fischer." The man said: "She's got a bum leg." Evelyn's dark prying eyes shifted their focus from tDashiell Hammett is the author of 'Woman in the Dark', published 1989 under ISBN 9780679722656 and ISBN 0679722653.