Twentieth Century Music

1. Toward Expressionism and the Transformation of Nineteenth-Century Chromatic Tonality. 2. Vienna Schoenberg Circle: Free Atonality and Expressionism. 3. Vienna Schoenberg Circle: The Twelve-Tone System. 4. Musical Reactions to the Ultra-Chromaticism of the Wagner-Strauss Period: Rise of National Styles. 5. BÉla BartÓk in Eastern Europe and the United States. 6. Diverse National Developments in Europe. 7. Music in the United States. 8. Early National Developments in Latin America. 9. Rise of Neoclassicism in France: the Cocteau-Satie Era and "Les Six." 10. Stravinsky in Switzerland and Paris (1914-1939): The Neoclassical Style. 11. Neo-Tonality and Gebrauchsmusik in Germany. 12. The Music of Soviet Composers. 13. Color, Noise, and New Sonorities. 14. Early Developments of the Twelve-Tone System Beyond Schoenberg, Berg, and Webern. 15. Total Serialization in Europe. 16. Varied Approaches to the Twelve-Tone Principle and Rhythmic Formulization in the United States. 17. Twelve-Tone Tonality. 18. Musique ConcrÈte and Electronic Music. 19. Chance, Improvisation, Open Form, and Minimalism. 20. Continuation and Development of Musical Nationalism and other Earlier Trends in Europe and the Americas. Bibliography. Index.Antokoletz, Elliott is the author of 'Twentieth Century Music', published 1991 under ISBN 9780139341267 and ISBN 0139341269.