Taste of Conquest The Rise and Fall of the Three Great Cities of Spice

I Antichi What I remember best from that dinner on Campo San Maurizio are the canoce, a tangle of milky pink sea creatures spilling across a great silver platter. And Luca, looming in the low kitchen doorway, in an outfit of leather pants, royal blue velvet blouse, and Day-Glo orange boots, a huge grin splitting his satyr's face as he paused dramatically to hold up the dish so that we might admire his succulent prize. Canoce are about the size of a fat man's index finger and belong to the same family of tasty exoskeletal sea life as shrimp and saltwater crayfish; however, they are distinctly more buglike in appearance, lacking the bright color and exuberant claws of other crustaceans. In flavor, though, they are far more delicate, infused with sweetness and brininess in exquisite balance. When they arrive at the table, I give up on my knife and fork so that I can methodically rip each luscious beast apart to extract its sweet belly and slurp on my fingers to secure each salty drip. I try to remember the instructions from a pamphlet on etiquette published in 1483, when everyone ate with their hands: "Eat with the three fingers, do not take morsels of excessive size and do not stuff your mouth with both hands." Success is elusive. Like most Italian cooking today, the canoce recipe is simple: the crustaceans are bathed in a little olive oil and seasoned with salt and pepper. It is Venetian food at its most elemental, a dish that comes from the bounty of the lagoon that fed local fishermen long before Venice became Europe's pepper dealer and continued to do so long after the city was washed up in the spice trade. The pepper is still there, but there's not even a trace of the other seasoningsthe ginger, the cinnamon, the nutmeg, the clovesthat once filled the city's great galleys and suffused her suppers with Oriental scents. It's as if the ancient town can no longer recall yesterday's spiced debauch and instead, as the old often do, has retreated to the memories of her youth, before the parvenu aristocrats began to dress her up with baubles from abroad. Luca explains that this method of cooking canoce is more popolare, of the people, the way the old ladies make them, the only ones who can still make Venetian food. The recollection of feasts gone by fades the rake's smile to melancholy. I had come to Venice to try to pry off her mask, to uncover some of the antique flavors, to sniff out her ancient peppery smells. I figured Luca could make the introductions. After all, he has spent his forty-something years consorting with the old dowager on the lagoon. Along the way, he has reproduced Renaissance feasts complete with trained bears, swordfights, and period trumpet serenades, where the gilded pheasants and cinnamon-scented ravioli were served from ornate platters and golden bowls. Although he is more a jack-of-all- trades than a Renaissance man, he has often dressed the part of the latter. Imagine Paul Bunyan in silk tights topped by an exquisite doublet of pink and gold. In other towns, Luca Colferai might have been a punk rocker in his youth, but here, his rebellion took the form of organizing erotic poetry festivals and resurrecting Casanova. So you can understand that when his grandiloquent dinner invitation arrived, I could hardly refuse. One of Luca's many roles is to play a guiding spirit to I Antichi, a confraternity of like-minded families known as a compagnia de calza (literally, "society of the stocking"). "Our compagnia is made up of a small lunatic fringe who just want to have fun during Carnevale" is how Luca describes his companions. In fact, the society's mandate, to organize celebrations during Carnival, is fully approved and authorized by the Venetian municipal government. Given that this is Venice, the ideKrondl, Michael is the author of 'Taste of Conquest The Rise and Fall of the Three Great Cities of Spice', published 2007 under ISBN 9780345480835 and ISBN 034548083X.