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Chapter One 1823 Vergil's grudging appreciation of Jane Ormond's aria did not salve his anger one bit. He resented like hell that he couldn't have her thrown into Newgate Prison where she belonged. She had costumed herself like a French queen from the previous century, but she appeared uncomfortable with the illusion. She held herself stiffly whenever she moved, as if she expected the high white wig to topple off or the padded, hooped gown to tip her over. The confidence of her voice contrasted with her physical awkwardness. Poses of professional self-possession contrasted with short strolls of vulnerability. He was not fooled by her calculated charm. With her wide eyes and full lips and intimations of frailty, she affected the most dangerous type of innocence. It was the kind that prompted a man to want to lay down his life to protect it, but which provoked another, darker part to imagine stripping off her clothes and destroying it. She moved in his direction, raising her head for the high notes of a vocal display. Her gaze met his. A flicker of curiosity passed, as if she perceived that he would not be here if duty did not demand it. He knew that nothing in his appearance told her that. This gaming establishment had added staged shows to cater to men of his class. They took breaks from their gambling to eat in this salon and enjoy a concert of opera, or, later, entertainment of a much baser sort. She looked longer than she ought, boldly meeting his inspection with one of her own. He suppressed the alarming combination of protective and erotic inclinations that those wide eyes summoned, by concentrating on all of the trouble that she had caused him the last two weeks. Morton slid into the other chair at his table. Morton did look out of place with his bearish form and unfashionable beard. "The girl is here," he said. "In a room in back. Miss Ormond brings her every night, to wait there while she sings. I spoke with the man at the door and he saw them come in together tonight." Vergil rose. "Miss Ormond sings an art song after this aria. Let us do it now. We will have the girl out before she finishes." The unsuspecting Miss Ormond warbled on. "If she is smart, she will run for the coast when she learns her plans were foiled. As for the girl, we will bring her to the country to recover, and no one will be the wiser." He was assuming, of course, that Miss Jane Ormond had not already sold the girl to the highest bidder. He narrowed his attention on the deceptively ingenuous face beneath the towering white wig. There was something intelligent in those eyes. No, she wouldn't have risked all of this for so small a prize as a virgin's price. Perhaps she had planned to ask for a ransom, but most likely her intentions were to sell the girl in marriage. Since she had served as the girl's maid and they had traveled from America together, she undoubtedly knew about the inheritance. This all might have been avoided if Dante had been more alert. His own fault that, sending his brother to meet their ship, but whoever expected this chit of a maid to dare such a thing. The seedy back corridor contrasted with the opulence of the dining salon. Morton gestured to a door tucked beneath a stairway. Vergil turned the handle. He had visited singers' preparation rooms before and they were normally disasters of confusion. This tiny space had been carefully organized. A brace of candles sat on a small table that also held a mirror and containers of paint. Costumes and day clothes hung from a row of hooks on the wall. A chair crowded the shadows to the right of the table, and a young woman sat mending there with her needle and cloth held close to the flames. "Miss Bianca Kenwood?" She looked up in surprise and he immediately began calculating how much he would have to increase the briHunter, Madeline is the author of 'Saint' with ISBN 9780553585902 and ISBN 0553585908.
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