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Chapter One In the Territory: 19131931 There is no ancestor so powerful as one's earlier selves. Lewis Mumford (1929) Decades after the blazing hot afternoon in June 1933 when Ralph Ellison, in his first and last outing as a hobo, climbed fearfully and yet eagerly aboard a smoky freight train leaving Oklahoma City on a dangerous journey that he hoped would take him to college in Tuskegee, Alabama, his memories of growing up in Oklahoma continued both to haunt and to inspire him. For a long time he had suppressed those memories; then the time came when he began to crave them. The turning point had been his triumph in 1952 with his novel Invisible Man. That success had led to a cascading flow of honors such as no other African-American writer had ever enjoyed. In 1953, he won the National Book Award, besting The Old Man and the Sea, by Ernest Hemingway, one of his idols. Later, the American Academy of Arts and Letters elected him a member, one of the fifty distinguished American men and women who formed its inner core. At the White House, first Lyndon B. Johnson and then Ronald Reagan awarded him presidential medals. At the behest of the novelist and critic Andre Malraux, another of his idols, France made him a Chevalier of the Order of Arts and Letters. The most venerable social club in America connected to the arts, the Century, in New York, elected him as its first black member. Harvard University, awarding him an honorary degree, offered him a professorship. Never out of print and translated into more than twenty languages, Invisible Man maintains its reputation as one of the jewels of twentieth-century American fiction. Ellison's triumph in 1952 had also led to a tangled mess of fears and doubts about his ability to finish a second novel at least as fine as Invisible Man. By the time of his death in 1994, his failure to produce that second novel had made Ellison, a proud man, the butt of surreptitious jokes and cruel remarks. The snickering and giggling behind his back often left him prickly and tart, if not downright hostile. Clinging fearlessly and stubbornly to the ideal of harmonious racial integration in America, he found it hard to negotiate the treacherous currents of American life in the volatile 1960s and 1970s. Although he always saw himself as above all an artist, and published a dazzling book of cultural commentary in 1964, his later successes were relatively modest. For some of his critics, his life was finally a cautionary tale to be told against the dangers of elitism and alienation, and especially alienation from other blacks. For his admirers, however, no one who had written Invisible Man and so skillfully explicated the matter of race and American culture in his essays could ever be accounted a failure. To some peopleyounger black writers mainlywho hoped and perhaps even expected him to help them, he frequently seemed cold and stingy. To otherswhites especiallyhe was a man of grace, intelligence, wit, and courage who saw his nation with prophetic optimism and clarity. Each of these conflicting views had, at the very least, an element of truthand the roots of these conflicts may be traced, not surprisingly, to his upbringing in Oklahoma. Seeking artistic inspiration as the decades passed, he turned more and more to memories of his youth in what once had been the old Indian and Oklahoma territories. From this virgin landas both whites and blacks saw itthe state of Oklahoma had been carved in 1907. Certainly he had no interest in living as a mature man in Oklahoma. It was more than enough for him to brood on the past, and to come back every seven years or so to visit the old neighborhoods, talk with old friends, bask in the glow of his celebrity, and revive his creativity at its ancestral source. On these visits, he lookedRampersad, Arnold is the author of 'Ralph Ellison A Biography', published 2007 under ISBN 9780375408274 and ISBN 0375408274.
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