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Chapter I Trinity College, Cambridge - 1547 Are you certain this unnatural device will not fail us?" Sir John Cheke's face was a study in apprehension. Beyond the windows of the college hall, the May twilight grew blue and dim. Cheke reached for a candle and lit it. "Of course I am certain," Dee replied, swallowing his impatience. "I should not have proposed such a matter to you if I had not been entirely sure of my theorems." He pointed to a complex arrangement of levers, mirrors, and pulleys, concealed behind the pale stone arches. "Nevertheless, if the theatrical player is actually intended to ride upon this contraption--" Cheke hesitated. "And though I believe you to be a prodigy in mathematics, you are youthful, sir, and prone to eagerness. Will the actor be safe?" "He will be as safe as if he sat bestride an aged mule upon the Ely road." John Dee took care to maintain a tranquil countenance above his frayed ruff, belying a degree of inner doubt. It had taken several sleepless nights to work out the practical consequences of his plan and Dee was by no means sure that it would prove a success. But how else to test the theory? The expression that Cheke wore now was a familiar one. It had often been seen to steal across his old tutor's features, like cat-ice upon the millponds of the Cam, when Dee had come up with some new notion, but he was also confident that Cheke could be persuaded to support the current proposal. After all, it was well known that Cheke would not set foot out of his house before examining the configuration of the stars, and frequently consulted Dee as to the more pressing astrological portents. Moreover, Cheke and his colleagues had already proved instrumental in encouraging Erasmus' new learning at the University. Arabic arithmetic, which Dee was currently engaged in teaching to a new generation of undergraduates, was now all the rage. So was Greek philosophy and that meant that Greek plays might also be popular, such as Aristophanes' Peace, which Dee was now currently attempting to stage. Cheke prodded the thing that sat before him with a wary foot. "But a mechanical beetle? I do wonder, John, at the chambers that your imagination must contain. Even at nineteen you manage to surpass the notions held by men twice your age!" The beetle, some four feet in length and constructed of wood and metal at a local forge, rocked gently at the touch of Cheke's shoe. "Take care! And I venture to remark that it is not my imagination," Dee hastened to say, "but that of Aristophanes himself, who was the first to conceive of such a scheme." "One might suggest that the playwright's interest was allegorical rather than mechanical." Cheke gestured disapprovingly toward the copy of Peace that lay upon a nearby table. "That the hero of this play succeeds in reaching Olympus and the gods on the back of a giant dung beetle, rather than the winged steed of legend, gives Aristophanes license for a number of broad jests and references." "Broad jests aside, it is the principle that counts." "Indeed. Explain to me once more how you intend to persuade this monster to part company from the ground?" "I am beginning work upon an 'art mathematical,' which I term 'thaumaturgy,' " Dee explained. He took a deep breath, willing himself not to launch into an explanation that would cause a glaze to appear across Cheke's eyes. Sometimes it was difficult to remember that other people did not seem to enjoy the same ease with mathematics as Dee himself. Sorting through the muddled pile of notes, he took up a scrap of parchment and began to read. " 'It giveth certain order to make strange works, of the sense to be perceived and of men greatly to be wondered at.' " "Men will indeed greatly wonderWilliams, Liz is the author of 'Poison Master' with ISBN 9780553584981 and ISBN 0553584987.
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