Other End of the Leash Why We Do What We Do Around Dogs

Monkey See, Monkey Do The Importance of Visual Signals Between People and Dogs Being an Applied Animal Behaviorist who works with aggressive dogs in my office is one thing. Working with them on a stage in front of a couple of hundred people is another. In a private consultation, all your attention is focused on the dog, but when you're doing a demonstration, your focus is divided between the dog and the audience. Important signals may last only a tenth of a second and be no bigger than a quarter of an inch, so you can get into trouble trying to attend to both an audience and a problem dog at the same time. There's a kind of Evel Knievel feeling about working with an aggressive dog up on a stage. You prepare meticulously to have all the odds in your favor. You get a good night's sleep, eat healthy food, and interview the dog owner extensively beforehand. You work with good, reliable people on whom you can count. And then you hit the ramp and hope you'll make it over the canyon. The Mastiff I was working with at one seminar must have weighed more than 200 pounds, with a head the size of an oven. He had been lunging at strangers for the last several months, scaring his owners as much as their friends. Tossing treats steadily, I got closer and closer to him while I talked to the audience about what I was doing. Out of the corner of my eye, I saw that the Mastiff looked relaxed, anticipating another treat, breathing normally. I turned my attention to a question from the audience, as I continued tossing treats, and took one step closer. I was now only a few feet away. Donna's eyes alerted me. I had glanced at Donna Duford, a wise and experienced professional dog trainer, and by the look on her face, I knew I was in trouble. The Mastiff was standing right beside me but had become chillingly still. I glanced in his direction, but looked directly into his eyes, although only for a microsecond--a mistake, and a stupid one at that. Direct eye contact with a nervous dog is a beginner's mistake that you either learn to avoid or you get out of the business. The dog exploded like a freight train of teeth and muscle, lunging right at my face. His growl-barks shook the building. I did what every highly trained professional does in that circumstance. I backed up. Little Movements Have Big Effects If I had not made eye contact with the Mastiff, if my eyes had moved some fraction of an inch over to the left or right, he wouldn't have lunged. All that ballistic power would've sat, quietly watching, if I had changed the path of my gaze a quarter of an inch. A barely perceptible change in my behavior would have resulted in the stunningly obvious difference between a 200-pound dog sitting quietly or launching toward my face. That story may be a bit dramatic, but the same impact of subtle movements underlies each and every one of your interactions with your dog. Dogs are brilliant at perceiving minute changes in our bodies and assume each tiny motion has meaning. Small movements that you make result in huge changes in your dog's behavior. If you learn anything from this book, learn that. The examples are endless. Standing straight with your shoulders squared rather than slumped can make the difference in whether your dog sits or not. Shifting your weight forward or backward, almost imperceptibly to a human, is a neon sign to a dog. Changes in the way that your body leans are so important that an incline of half an inch backward or forward can lure a frightened stray dog toward you or chase her away. Whether you breathe deeply or hold your breath can prevent a dogfight or cause one. I've worked with aggressive dogs every week for thirteen years, and I've seen repeatedly that sometimes tiny movements can defuse a dangerous situation--or create one. When I asked a veterinary student what she had learned after spending two weeks with me, she said, "I never realized how important the detaiMcConnell, Patricia A. is the author of 'Other End of the Leash Why We Do What We Do Around Dogs', published 2002 under ISBN 9780345446794 and ISBN 0345446798.