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Bag Man The old man was walking along the side of the Pacific Coast Highway in Santa Monica, gripping a fistful of plastic grocery bags. His salt-and-pepper hair was filthy and hanging in that sagging parody of a Rastafarian hairdo that most homeless men seem to get, white or black. He wore a once-khaki jacket stained with oil and dirt and grass and faded with sunlight. His hands were covered with gardening gloves. Dr. Byron Williams passed him in his vintage Town Car and then stopped at the light, waiting to turn left to go up the steep road from the PCH to Ocean Avenue. A motorcycle to the left of him gunned its engine. Byron looked at the cyclist, a woman dressed all in black leather, her face completely hidden inside a black plastic helmet. The blank faceplate turned toward him, regarded him for a long moment, then turned to the front again. Byron shuddered, though he didn't know why. He looked the other way, to the right, across the lanes of fast-moving cars that were speeding up to get on the 10 and head east into Los Angeles. Normally Byron would be among them, heading home to Baldwin Hills from his day of classes and meetings at Pepperdine. But tonight he had promised Nadine that he'd bring home dinner from I Cugini. That's the kind of thing you had to do when you married a black woman who thought she was Italian. Could have been worse. Could have married a black woman who thought she was a redneck. Then they'd have to vacation in Daytona every year and listen to country music and eat possum and potato-chip-and-mayonnaise sandwiches on white bread. Or he could be married to a biker like the woman still revving her engine in the other left-turn lane. He could just imagine getting dragged into biker bars, where, as an African-American professor of literature specializing in the romantic poets, he would naturally fit right in. He tried to imagine himself taking on a half-dozen drunken bikers with chains and pipes. Of course, if he were with that biker woman, he wouldn't have to fight them. She looked like she could take them on herself and wina big, strong woman who wouldn't put up with nonsense from any- body. That was a lot to know about a woman without seeing her face, but her body, her posture, her choice of costume and bike, and above all that challenging roar from her bikethe message was clear. Don't get in front of me, buddy, cause I'm coming through. He only gradually realized that he was staring right at the homeless man with the handfuls of grocery bags. The man was stopped at the edge of the roadway, facing him, staring back at him. Now that Byron could see his face, he realized that the man wasn't faking his rasta dohe was entitled to it, being a black man. A filthy, shabby, rheumy-eyed, chin-stubbled, grey-bearded, slack-lipped old bum of a black man. But the hair was authentic. Authentic. Thinking of the word made Byron cringe. Every year there was at least one student in one of his classes who'd mutter somethingor say it boldlyabout how the very fact that he was teaching courses in nineteenth-century white men's literature made him less authentic as a black man. Or that being a black man made him less authentic as a teacher of English literature. As if all a black man ought to aspire to teach was African studies or black history or Swahili. The old man winked at him. And suddenly Byron's annoyance drained away and he felt a little giddy. What was he brooding about? Students gave crap to their teachers whenever they thought they could get away with it. They learned soon enough that in Byron's classes, the students who cared would become the kind of people who were fit to understand Wordsworth, Shelley, Keats, Coleridge, Grey, andof courCard, Orson Scott is the author of 'Magic Street', published 0000 under ISBN 9780345416896 and ISBN 0345416899.
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