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9780805075373
From The Italian Boy: Urban poverty, so often a disgusting and harrowing sight to the respectable, could also be a source of wonder and intrigue. A beggar with a certain look, or air, or "act," could feed on city dwellers' craving for novelty and display. To London's grimmest streets, to a population with little access to books or periodicals, and no access to parks, zoos, galleries, or museumsItalian boys brought music, intriguing objects, and strange animals, plus, in many cases, their own beauty. The economies of the Italian states had been devastated by the Napoleonic Wars and throughout the 1820s there was large-scale migration, with many Italian artisans moving to northern European cities to pursue their trades. While later in the century Italian street children would be known for playing musical instruments and dancing, until the mid-1830s their principal source of income was exhibiting small animals as well as wax and plaster figures. The objects and creatures were rented out to the boys each morning by padroni who ran the trade. All in all, Italy was providing London with a better class of vagrant. The pathos an Italian boy evoked could earn his master six or seven shillings a day. Deadand apparently murdered to supply the surgeonshis appeal only seemed to increase.Wise, Sarah is the author of 'Italian Boy A Tale of Murder and Body-Snatching in 1830's London', published 2004 under ISBN 9780805075373 and ISBN 0805075372.
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