Eugene O'Neill and Oriental Thought: A Divided Vision

"Off and on, of late years, I have studied the history and development of all religions with immense interest as being for me, at least, the most illuminating 'case histories' of the inner life of man."Eugene O'Neill writing to M. C. Sparrow, 1929 While it is commonly accepted that Eu­gene O'Neill studied Oriental mystical religions and that this study may be detected in some of his less successful experimental plays(Lazarus Laughed, The Fountain, Marco Millions)there has not been an effort to con­sider systematically his "immense interest" and the influence it had on O'Neill's thought and writing. Robinson explores the tension between Occidental and Oriental elements in the playwright's art, examining both the sources of the conflict and its manifestation in selected plays written between 1916and 1942. Through an examination of O'Neill's cor­respondence, research library, and manuscript materials (some of which have pre­viously been unavailable for study) Robinson is able to reveal the origins of O'Neill's Ori­entalism. An easy familiarity with the com­plex interrelationships of Eastern and West­ern religions and the Oriental thought that underlies the ideas of many Western philoso­phers, allows Robinson to address the in­tricate problem of Oriental influences on O'Neill's favorite Western sources, including Nietzsche, Schopenhauer, Jung, Strindberg, and Emerson. Finally in a play-by-play exegesis, Robin­son traces the course of O'Neill's mysticism from its apparent repudiation in the deeply flawedDynamoto its synthesis inThe Iceman Cometh, Long Day's Journey Into Night,andHughie,where Eastern ideas ofmaya,dy­namic polarity, and the emptiness of the uni­verse are again evident.Robinson, James A. is the author of 'Eugene O'Neill and Oriental Thought: A Divided Vision', published 1982 under ISBN 9780809310357 and ISBN 080931035X.