Engaging Characters : Fiction, Emotion, and the Cinema

Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic andtangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or "identification") with characters in both cinematic and literary fictions. Films and filmmakers discussed include TheAccused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; Eisenstein's Strike; and Melville's Le Doulos.Smith, Murray is the author of 'Engaging Characters : Fiction, Emotion, and the Cinema', published 1995 under ISBN 9780198182405 and ISBN 0198182406.