Crimes of Passion An Unblinking Look at Murderous Love

IntroductionIn all of the annals of criminal law, there is no record more fascinating, more intriguing, than that of crimes of passion. They are interesting for a number of reasons, not the least of which is the fact that crimes of passion are offenses not normally committed by criminals, but by ordinary people, who are criminalized only by these acts. Both sexes and all classes and races commit these crimes. Their perpetrators are nonentities and celebrities, laborers and socialites, school-dropouts and Ph.D.'s. By ordinary people, I mean not some political abstraction, but rather all the rich and wide variety that people come in. The full diapason of mankind.The study of crime offers a special tool to the social historian. Through a study of the offenses that societies, throughout history, have chosen to criminalize, prosecute and, at the end of the process, punish, we get some notion of how people behave in extremis. When the heat is on. Here is society caught at a disadvantage, with its hair in curlers, still in its bathrobe at eleven o'clock in the morning. The study of crime cuts a trench into the tumulus of human existence. While interesting enough in its own right, such a study allows a unique look at changing behavior. Here we can learn about the structure of the society, the classes, the power base and the mentality of not only the offenders, but also of those who judge them. just as the archaeologist digs a trench into a mound to turn up a slice of an ancient civilization, the study of a particular crime allows the criminologist and anyone else interested in looking to see a slice of a micro-civilization that existed surrounding a peculiar group of circumstances. It's like lifting up a single rock and studying the insect life beneath it. Such an investigation interrupts a series of events and exposes a drama that would otherwise be hidden from us.Further, such a study crosses the barriers between disciplines. Crimes of passion have inspired not only legends and literature, including the plays of great playwrights, but also novels, symphonic works, operas and the graphic arts. Think of the murder of the king that fuels the action in Hamlet. Think of Carmen. Remember Agamemnon. In fact, it is difficult to imagine art, literature or music without the violent outpouring of passion and the stories of human struggles that gave them birth. Without crimes of passion, grand opera would be impossible, and the great art galleries of the world impoverished.Anna Freud said "a crime of passion is an action committed without the benefit of ego activity. The term means that the passion, the impulse, is of such magnitude that every other consideration apart from its fulfillment is disregarded." In other words, a large part of what is regarded as normal mental functioning shuts down, becoming unavailable to the perpetrator.The very term "crimes of passion" evokes deep-seated, atavistic responses in every reader's heart. These are the crimes that are born in the emotional core of men and women pushed to do the unthinkable. They are at the end of their tether, au bout de souffle. There is hardly ever any crass consideration of financial gain here, no taint of the marketplace, of reward: only release. These crimes are direct responses to unbearable betrayal, broken hearts, destroyed characters, ruined lives and injured pride. Jealousy, envy and the rest of the Seven Deadly Sins enter through this door, and, like as not, if you are looking at older records, end on the scaffold.The passionate love of Francesca da Rimini and her tragic end have inspired artists as great as Dante, Leigh Hunt, Gabriele D'Annunzio, Ingres, George Frederick Watts, Riccardo Zandonai and Tchaikovsky to new cEngel, Howard is the author of 'Crimes of Passion An Unblinking Look at Murderous Love' with ISBN 9781552975848 and ISBN 1552975843.