Bird Is A Raven

I finished high school in Munich. When I was twenty I moved to Berlin to study ethnology. I shared an apartment in Schoneberg with two other students. A guy named Randall and a girl named Sofia. I hardly spent any time studying. I didn't really give a damn about anything. I hung out in the city. I went to cafes and clubs. I met people who were doing the same thing. Most of them had come to Berlin from somewhere else. In fact, they all had. And they all wanted to be discovered. Of course, they knew that they had to go out looking too. And they did that to some extent. But they wanted above all to be discovered. It's Friday night, 10:26, January 4. I'm standing on platform 18 of the central station in Munich. My green duffel bag is lying next to me on the ground. It's bitter cold. The wind is shaving my cheeks. Solitary pigeons are fluttering around; one of them lands on the tracks. The station concourse is brightly lit. There aren't many people around. An elderly woman in a black coat is standing a few yards away from me. She's wearing a white hat with earflaps. She's walking back and forth, her left arm crossed over her chest, her right hand holding a cell phone, whose buttons she's pressing with her thumb. More solitary figures. The train is already six minutes late. It's the train that'll take me back to Berlin after my short visit home. Berlin, where everything is bright and beautiful. At least that's what you used to hear. From everyone. From all the guys who were raving about Berlin: man, you gotta go there. It's a great town. It's like, you know, everything's moving! There's action there. The air isn't air--it's filled with gold dust. You know, like, you inhale gold dust. And the girls! They're incredible! Whether they've been there all along or just arrived, you can tell they've been breathing in tons of gold dust. But none of that was really true. I mean, the girls I came across in Berlin, most of them were really great, but they weren't breathing gold dust. The air they sucked in through their beautiful noses was nostalgia. And not just the girls. I stare at the announcement board: 10:29. The train will be here any minute. I think of the three days I've just spent in Munich, think about my mother. She's a doctor. Each night when I sleep at my parents' house, she puts a little white bowl of sliced kiwis on my nightstand. She used to do that before too. Now it gets on my nerves. But in Berlin I still think about it. When I'm at a club and see all the people who have come to the city like me and are dancing like crazy. All of them with this expectant look in their eyes, which can even be detected in the dim lights of the club. Maybe only really detectable in the dark. Like shimmering cats' eyes. And then I wonder if they have somebody somewhere who, regardless of what happens, will keep on putting sliced kiwis on their nightstand. The loudspeaker announces the train and it pulls in, the wheels grinding. As I get on, I suddenly feel sick, like I'm going to fall backward onto the platform. But I don't. I'm carrying my bag over my shoulder. I squeeze my way though the corridor. Past two girls who only grudgingly make way. One of them is chewing gum. Where's the sleeper? My compartment is number 39. It's a long walk. I also have to go through the dining car. It's quite full. Blue cigarette smoke hangs over the tables. Voices and laughter. Beneath my feet I feel that the train has started up again. At last, number 39. A white card key is sticking in the door. I unlock it. The second bed is still empty. Mine is the bottom one. Not much space here. On a shelf are two bananas, two apples. There are also two upturned drinking glasses and two little bottles of water. In front of the window: drawn gray curtains with small violet dots. The door to the washroom is narrow. ALebert, Benjamin is the author of 'Bird Is A Raven ', published 2006 under ISBN 9781400042845 and ISBN 1400042844.