A Mist of Prophecies: A Novel of Ancient Rome

Chapter One The last time I saw Cassandra . . . I was about to say: the last time I saw Cassandra was on the day of her death. But that would be untrue. The last time I saw her--gazed upon her face, ran my fingers over her golden hair, dared to touch her cold cheek--was on her funeral day. It was I who made all the arrangements. There was no one else to do it. No one else came forward to claim her body. I call her Cassandra, but that was not her real name, of course. No parents would ever give a child such an accursed name, any more than they would name a baby Medea or Medusa or Cyclops. Nor would any master give such an ill-omened name to a slave. Others called her Cassandra because of the special gift they believed her to possess. Like the original Cassandra, the doomed princess of ancient Troy, it seemed that our Cassandra could foretell the future. Little good that accursed gift did either of the women who bore that name. She called herself what others called her, Cassandra, saying she could no longer remember her real name or who her parents were or where she came from. Some thought the gods had given her glimpses of the future to compensate for robbing her of the past. Someone else robbed her of the present. Someone snuffed out the flame that burned inside her and lit her with an inner glow such as I have seen in no other mortal. Someone murdered Cassandra. As I said, it fell to me to make the funeral arrangements. No outraged friend or lover, no grieving parent or sibling came forward to claim her. The young man who had been her sole companion, the mute she called Rupa--bodyguard, servant, relative, lover?--vanished when she was murdered. For three days her body rested on a bier in the foyer of my house on the Palatine Hill. The embalmers clothed her in white and surrounded her with pine branches to scent the air. Her killer had done nothing to destroy Cassandra's beauty; it was poison that killed her. Drained of color, Cassandra's smooth cheeks and tender lips took on a waxen, opalescent quality, as if she were carved from translucent white marble. The hair that framed her face looked like hammered gold, cold and hard to the touch. By day, illuminated by sunbeams that poured through the atrium skylight, she looked no more alive than a white marble statue. But each night, while the rest of the household slept, I stole from my wife's bed and crept to the foyer to gaze at Cassandra's body. There were times--strange moments such as occur only in the middle of the night, when the mind is weary and flickering lamplight plays tricks on an old man's eyes-when it seemed hardly possible that the body on the bier could be truly dead. The lamplight infused Cassandra's face with a warm glow. Her hair shimmered with highlights of red and yellow. It seemed that at any moment she might open her eyes and part her lips to draw a quickening breath. Once I even dared to touch my lips to hers, but I drew back with a shudder, for they were as cold and unresponsive as the lips of a statue. I placed a black wreath on my door. Such wreaths are a warning in one sense, alerting others to the presence of death in the household, but in another sense they issue an invitation: come, pay your final respects. But not a single visitor came to view Cassandra's body. Not even one of those compulsive gossips came to pester us, the type who make the rounds of the city looking for wreaths and knocking on doors of people they've never met, just to have a look at the latest corpse so they can deliver an opinion on the embalmers' handiwork. I alone mourned Cassandra. Perhaps, I thought, death and funerals had become too commonplace in Rome for the passing of a single woman of unknown family, commonly thought to be as mad as-well, as mad as Cassandra-to excite any interest. The whole world was swept up in a civil war that dwarfed all other conflicts in the history of thSteven Saylor is the author of 'A Mist of Prophecies: A Novel of Ancient Rome', published 2002 under ISBN 9780312271213 and ISBN 0312271212.